Fangoria

Horror is wel echt mijn ding. Daarom ook heb ik een abonnement op het Amerikaanse maandblad Fangoria. Meer nog: ik verzamel oude nummers van dit bloederig magazine.
15 zoekresultaten gevonden met "Valentine":
Fangoria#11 p.54 My Bloody Valentine
Director George Mihalka talks about making his tribute to the holiday that goes right for the heart!
Fangoria#119 p.69 Valentine
Fangoria#140 p.64 From the Great Fright North
Canadian director George Mihalka has covered most of the genre bases during his decade-and-a-half-long career.
Fangoria#199 p.10 Valentine
Hearts of Darkness
Fangoria#204 p.12 The Cutting Room: Valentine
While fans hoped Valentine would be the gory gift its marketing campaign painted it to be, most of the grue was suspiciously absent by the time the film hit theaters.
Fangoria#207 p.69 Valentine
Fangoria#279 p.37 My Bloody Valentine 3D Murder in Depth
The '80s subterranean slasher returns with added dimension in both senses of the word.
Fangoria#280 p.48 Valentine's Prey
The other "Supernatural" star put his heart into his own slasher redux.
Fangoria#296 p.37 Dread, Demons, Death
Over the years, filmmakers have found many different ways to scare us in 3-D.
Fangoria#299 p.10 The Taken
Giving his all for gore
Fangoria#301 p.16 Buckle Up and Drive Angry
It's 3-D hell on Earth for Nicolas Cage and the people behind "My Bloody Valentine."
Fangoria#328 p.70 Isabel from Hell
Animating in Australia, Isabel Peppard breathes life into darkness.
Fangoria#346 p.22 Thrill Us!
In the 36 years since making his horror debut in "The Fog," Tom Atkins has gone from character actor to cult-favorite bad-ass.
Fangoria#366 p.92 The Unexpected (And Highly Welcome) Return of My Bloody Valentine
A new novelization lets fans revisit a slasher classic in a brand-new way.
Fangoria#367 p.14 Slasher, Incubate Thyself
In Terror Train, it's three years after the initial prank that revenge killings start. Prom Night waits six years to serve up its disco brand of justice. With Happy Birthday to Me, it's two years. Silent Night, Deadly Night: thirteen years. The House on Sorority Row: twenty-two years. My Bloody Valentine: twenty years. Sleepaway Camp: eight years. Slaughter High: ten years. This delay, this gap, this waiting period, would seem to be built into the slasher, wouldn't it? Definitely part of the formula, anyway.